Kurt Wenner

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Articles on Kurt Wenner- Full Document- PDF

New York Times Sunday Book Review, Dec 2, 2011 Steven Heller

Today realism is usually one some-more fashion, that can leave a Renaissance talent out in a cold.
That’s accurately where Kurt Wenner mostly works. A former systematic illustrator for NASA, Wenner is a travel artist standard excellence, who draws extraordinary strange works (and occasional reproductions) in marker and pastel directly on a street. ASPHALT RENAISSANCE: The Pavement Art and 3-D Illusions of Kurt Wenner (Sterling Signature, paper, $24.95), by Wenner with B. Hansen and M. Hospodar, exhibits his path murals of exemplary compositions — unfailing to be cleared divided by time and sleet — that competence have put Michelangelo to contrition (at slightest a church let him do his indoors).

Wenner, who schooled viewpoint and dimension in Italy, is one of an increasingly renouned multiply of travel performers who acquire tips for their artistic labors. At slightest a bills are aloft denominations these days, as Wenner is invited a universe over to adorn several open spaces. “It is engaging for me to see a proceed in that a opposite cultures know my work,” he writes. “In Europe and a United States, a impermanence of travel portrayal is inaugural in a public’s mind. . . . To Eastern minds, a impermanence of travel portrayal is totally natural, even unremarkable. They are many preoccupied by a sketch character itself, that is unequivocally outlandish and intriguing to them.”

“Asphalt Renaissance” is an art book, with extraordinary tone photos of a work in situ, mostly with observers hire around providing context. But it is also a routine book. Although Wenner’s possess comments are infrequently relocating and a content is didactic (“The invention of an wholly new form of viewpoint was innate out of Wenner’s need to make an irrefutably strange artistic matter within a context of classicism”), we could have finished though a blueprint tricks, including imitation captions in overt tone bars with mistake marker shadows. The monumentality of a work also begs for a incomparable format than this. But no book could be as implausible as Wenner’s live work, that would be formidable to embrace underneath any circumstances.

Business Insider Julie Zeveloff, Dec 5, 2011

We recently stumbled opposite some trippy art by artist Kurt Wenner.

Wenner’s specialty is a centuries-old use of travel painting. But what sets him detached from other artists who cover swaths of open space with their work is that Wenner’s work is 3D. It appears to dump low underneath a belligerent into another world–one mostly filled with characters from Greek mythology or a fairytale.
We asked Wenner a few questions about how he creates his larger-than-life installations and what it’s like to be an artist operative in a midst of a crowd. He’s also been kind adequate to share some photos of his art with us; check out a full gallery on his website.

How did we start doing travel art, and how did we rise a 3D style?

I started to paint on a streets of Rome, Italy in 1982. we was investigate in a museums directly from a good master works of art and indispensable a proceed to make ends meet. For 6 months we spent 8 hours a day sketch and training from paintings and sculpture. At initial we sole a studies to tourists and museum guards, though it did not cover my expenses. we did not pronounce Italian and had no accede to work in a country. One day, we saw a travel portrayal and asked a artist what he was doing. He explained a tradition of travel portrayal in Europe to me, where it was a normal form of folk art. After observation my museum drawings he asked if I’d like to paint a conduct of an angel while he went to lunch. At a time, it was not a worldly art form, and my sketch skills were some-more than sufficient in sequence to heed myself. Working with a chalks came unequivocally naturally, and from that indicate on I’ve been travel painting.
The three-dimensional travel portrayal is my possess invention. we combined it by investigate a form of anamorphism that existed in a 17th century. For several decades artists designed vast works to be seen from one specific indicate of view. we was invited to mount a scaffolding in several churches to see he frescos adult tighten during a restorations.  I even overwhelmed a Sistine Chapel ceiling. On some of a antique ceilings we beheld that a total were elongated to seem normal from a ground. we was wakeful that my travel paintings were theme to identical observation circumstances- people looked during a work from an angle rather than straight-on. we started formulating my sole viewpoint geometry by adjusting a proportions of a embellished forms to accommodate a viewpoints of a spectators hire during a bottom of a work.  Unlike normal anamorphic compositions, such as church ceilings, a observation angles were unequivocally wide, and we started to use a curvilinear fisheye lens to request a compositions.

My possess geometry is opposite from a 17th century works, and we have not published it. It combines a judicious use of linear viewpoint with a projection external from a tellurian eye. Other artists that obey a three-dimensional cement works use a some-more normal geometry called “quadratura” that does not engage formidable calculations. They do not know that my geometry is unique.

What’s your favorite devise that you’ve completed? Is there a slightest favorite or one that was many challenging?

I consider a pattern “Dies Irae” stays my favorite work given we schooled a many from it.  Now we am operative on stereoscopic travel paintings, that are a lot of fun. we am happiest when we am perplexing to solve an engaging problem. When it is solved, we tend to pierce on to another thought or problem.

Do we like crowds entertainment to watch we work?

Street portrayal primarily requires a lot of courage. Few artists are immediately gentle pity their artistic process; it is intimidating to them. What we have found is that a routine formula in a catharsis. The artist learns that a open does not indeed know a routine good adequate to be critical, and is truly preoccupied by a artistic process, even if it is imperfect. It is a good ransom to learn this. That being said, travel portrayal for tips was primarily a presence skill. It was immensely difficult, though a rewards have been proportional to a effort.

How prolonged does it take to finish a project?

I customarily spend about a week and a half on a unpractical partial of a devise and a week to 10 days on a execution. we have a lot of credentials finished for a array of probable destiny projects, and this creates it probable to furnish works faster if need be.

How do we come adult with ideas for new installations? Do we work with companies or brands for promotional pieces?

Much of my stream work is finished for promotional purposes, and this can change a designs. Many companies come to me with unpractical briefs formed on my past work, though we also have a vast cache of new ideas for projects. This is unequivocally critical for gripping a work fresh. By formulating designs for a fun of it, and afterwards shelving them, we can mostly benefaction a artistic resolution that is innovative even when there is a unequivocally severe deadline.

What are some of a best responses you’ve seen to your travel art?

Street portrayal has always had a illusory recognition with a public. It is formidable to suppose another art form that would have such a widespread demographic. In a commencement a greeting was surprise, consternation and a bit of confusion. Now people proceed a pattern with expectations of what to see. The freeing of a images has been broad. we infrequently skip a aged days for a greeting of a audience.

What’s a hardest partial about operative outdoor and doing art in open areas? What’s a best partial about it?

Working outdoor is not gentle like it is in a studio. The sourroundings is mostly too prohibited or cold, a light might be oppressive or dim, and it can be loud and distracting. Sometimes it is so pleasing that one feels absolved for a experience, though this is frequency a case. Working in open areas is an wholly opposite emanate for me. If we am not in earthy discomfort, we can overtly contend that we unequivocally suffer operative in public. There is a certain appetite we get from a spectators that is unequivocally beguiling and gainful to creating.

What are we operative on now?

I am operative on formulating books and programs that will learn geometry, viewpoint and apparition as good as exemplary sketch and painting. we now have a book out, Asphalt Renaissance, that covers my travel portrayal practice and a story of a art form by Sterling Publishing in New York. we have also grown a new kind of stereoscopic travel portrayal that premiered in London. At a impulse we am redoing my website to be some-more ominous and offer giclée prints of drawings and pastels.

Elizabeth Haggarty
Toronto Star-
If a path in front of we unexpected opens adult to exhibit a inlet of Hell, you’ve substantially stumbled opposite a work of
Kurt Wenner.
Street artist, geometry dignitary and former NASA employee, Wenner has been mastering a art of 3D drawings given 1982
when he deserted his local California to investigate Renaissance portrayal in Italy.
Covering sidewalks in images of pleasing sirens and robbery monsters for pedestrians to event on wasn’t always part
of Wenner’s plan.
“One day, we saw a travel portrayal and asked a artist what he was doing,” Wenner writes about his early days in Rome on his
website. “He explained a tradition of travel portrayal in Europe to me, and after observation my museum drawings asked if I’d
like to paint a conduct of an angel while he went to lunch. Working with a chalks came unequivocally naturally, and from that indicate on
I’ve been travel painting,” Wenner explains.
Street art has a story in Italy dating behind to a 16th century, when vagabond artists called madonnari would pull religious
effigies on a streets with a wish that passersby would chuck income on them in wish of a spectacle or blessing.
But behind afterwards 2D was a norm. Five hundred years after Wenner strike a stage and anamorphic — or 3D — travel painting
was born.
“Three-dimensional travel portrayal is my possess invention,” Wenner pronounced in an email to a Star. “I combined it by investigate a type
of anamorphism that existed in a 17th century.”
Climbing scaffolding to inspect antique frescoes in churches opposite Italy, Wenner beheld a artists had used elongated
total to make their works seem normal when noticed from a ground.
“I started formulating my sole viewpoint geometry by adjusting a proportions of a embellished forms to accommodate the
viewpoints of a spectators hire during a bottom of a work,” Wenner said. “Unlike normal anamorphic compositions,
such as church ceilings, a observation angles were unequivocally wide, and we started to use a curvilinear fish eye lens to request the
The son of a mathematician and a song teacher, Wenner embellished his initial pattern for a Santa Barbara, Cali. ice cream emporium when
he was 16. Wenner now lives in California.
“I portrayed a family of a owners in a combination that was a cranky between a Last Supper and Alice in Wonderland,”
Wenner said.
Since afterwards he has embellished a delivery of a Last Judgment for Pope John Paul II’s revisit to Mantua, Italy, bucking broncos and
their riders arching out of a territory array during a Calgary Stampede and pointy tooth monsters crawling from a shrine for the
launch of Microsoft X-Games Gears of War in Los Angeles.
In all, his adore for late Italian rebirth and early antique frequently shines by and they all seem to be in 3D when
noticed from a scold angle.
Perched on a world’s pavements Wenner used to finish his drawings freestyle, delicately manoeuvring over any painted
section, so as to not repairs his work, as crowds collected to watch. Since holding on some-more consecrated pieces, he has incited to
sketching a final travel art/optical apparition before laying it down on a concrete.
Most of his works take 5 to 7 days to finish and cover around 25 block metres.
But Wenner didn’t start his career as a travel artist. Instead, he primarily worked as a visible artist for NASA.
“[I] combined artist’s renderings of destiny projects to Mars, Venus, and even a sun. The images were combined by palm from
systematic data, landscapes of outdoor planets and destiny spacecraft,” Wenner said.
Today, Wenner is scheming to recover a book, Asphalt Renaissance, on his travel art and hopes to pierce into making
permanent, museum installations.
But until then, his travel art remains, as prolonged as a rains, erratic walking feet and city cleaners assent them.


Mail Online
Monsters climbing by a floors, sorcery runner rides by fantastical cities… Yes, it’s a lapse of a 3D artist
As tourists watch in wonder, a weird collection of visionary animals seem to suffer a unruly lunch.
Elsewhere, dual children are taken on a enchanting drifting runner float opposite a pacific city, while a lady is dismayed out of sleep
when a throng of indignant bikers and drivers plough by her vital room wall… in a centre of Waterloo Station.
We’ve possibly slipped into an swap existence where anything is probable – or we’re exploring a imagination and perceptionbending
3D pattern of travel artist Kurt Wenner.
The artist is famous all over a universe for his gorgeous masterpieces, that dope a tellurian eye into saying a 3D image.
Viewed from any other angle, a apparition shatters, though collect a right mark and a weird stage comes to life.
The American’s three-dimensional marker cinema have enclosed muses swimming in a pool by a side of a highway in Lucernes,
Switzerland, a Judgement Day stage in a Gothic city square, and many recently a practical Renaissance city embellished on the
cement in Bettona, Italy.
In new years, Kurt has been consecrated to emanate works for big-name brands as partial of their promotion strategies.
Last year’s bank protected (below) was consecrated by comparethemarket.com to paint a £16 million they explain their
business had saved that year so far.
And in 2007 he remade London’s Waterloo Station for Sky HD with a pattern that saw a rickshaw pile-up into a vital room.
Commuters could be seen posing on a marker in an bid to turn partial of a image.
Wenner began portrayal in Rome in 1982, carrying been desirous by Renaissance frescos and sculptures.
He uses anamorphism – a technique traditionally used by artists to emanate a apparition of tallness – in his work as a means of
lending abyss to a travel surface.
The Michigan-based artist was before a NASA employee, conceptualizing artist illustrations of destiny space projects.
Then, desirous by a pattern of centuries-old frescoed ceilings he began his eye-bending masterpieces.
The technique can be seen on Renaissance frescoed ceilings, that were embellished to give a twisted apparition of tallness for
admirers observation from below. The many famous instance is Michelangelo’s 16th century pattern for a Sistine Chapel in Rome.
One of a artist’s initial commissions was a block to honour a revisit of Pope John Paul II to a Italian city of Mantua.
Aside from his some-more blurb commissions, Wenner has given strong on exemplary misconceptions and legends.
Over a past 27 years Wenner has trafficked a universe with his talent, formulating cement art in an implausible 30 countries.
Read more
This man is unbelievably means and a loyal artist. I’ve seen his work it’s unequivocally awsome.

Kurt Wenner was innate in Ann Arbor, Michigan, he began travel portrayal in rome in 1982. Wenner is a God means artist famous
around a universe for inventing three-dimensional travel paintings and 3D cement art, in this post we have collected some of
his shining travel paintings for we inspiration, we wish You will be enraptured by his pleasing painting.
Three-dimensional illusions of Kurt Wenner
For my hour
A new book from a preference of street-dimensional illusions Kurt Wenner, a former worker of NASA, who uses mathematical
skills to emanate three-dimensional illusions on sidewalks all over a world. When looking during a scold angle it seems that
there are people hire on them, fly by a air, and in situ petrify might seem like a unfounded pit. Kurt polished his
technique in 1982.
Teper, regulating a skills he polished over 30 years, he is means to emanate stereoscopic images such as in a imitation above, so that
people could travel on a imaginary Wide Web, expelled Spider-Man.
For 25 years, a artist uses formidable calculations from his before work – a origination of unpractical images of
supernatural landscapes in NASA – to liven adult a building and walls. Due to a presentation of computer-generated images, he
was one of a final artists who formidable automatic pattern a awaiting of regulating a pencil, paper and formidable equations. But
in 1982 he stopped personification and space projects, once sole all their effects and changed from a U.S. to Italy, where he now
relates his believe in a art.
He says: “The drawings demeanour genuine given they are distributed completely, and mathematically accurate. They would have
looked that way, if a objects in my paintings were indeed real. we use a wire to extent a stretch from a indicate of viewpoint to
my drawings. This allows me to calculate accurately what needs to be perspective. The figure midsize takes me 5 to 7 days.

Twisted Sifter- The Inventor and Master of 3D Sidewalk Chalk Art – Kurt Wenner
By SunSeven
Kurt Wenner was innate in Ann Arbor in Michigan, USA. He attended both Rhode Island School of Design and Art Center College
of Design. He was employed by NASA as an modernized systematic space illustrator, formulating unpractical paintings of destiny space
projects and extra-terrestrial landscapes according to a latest systematic information supposing by a Voyager spacecraft. He
is an artist best famous for his travel portrayal and marker murals regulating a projection called anamorphosis. These 3D chalk
drawings on cement have been featured in many newspapers and on several radio shows. In anamorphic art, paintings
are meant to “deceive a eye”. A portrayal might demeanour typical from one angle, though viewpoint it with a winding lens and it becomes 3-
It might seductiveness we to know that Kurt is a artist who initial grown a technique of illusionistic travel portrayal in a early
1980s in Europe. His early work and growth of this travel portrayal technique was documented by National Geographic in
a documentary film “Masterpieces in Chalk.” He has taught a few artists and has had many others try to embrace a technique,
that he considers a compliment.
When operative on a project, Wenner customarily spends 5 or 6 hours any day on a floor, an surprising ability in and of itself. He
pronounced there is no practice that can ready a physique for a time he spends on a floor. When he stands adult for breaks, it takes him
a while to get relocating routinely again.
When he initial began travel portrayal his creations were temporary. They lasted as prolonged as a elements and trade would allow.
Like a portrayal he combined for Gears of War, many of his recently consecrated creations are embellished on board that is
ideal for pastels given it isn’t influenced by humidity, that can hurt works combined with chalk
In 1987, Masterpieces in Chalk a National Geographic documentary featuring Wenner’s work in Europe, won initial place in
a excellent humanities multiplication during a New York Film festival. In 1991, Swiss-German Television combined a 45-minute documentary on his
work in Italy, that aired in Switzerland and Germany. His work has also been seen world-wide on Televisa, a international
Spanish promote station.
Wenner was asked to emanate a imitation ad for Absolut Vodka as partial of a prestigious artist ad series. The ad, famous as Absolut
Wenner, began appearing in magazines in Sep 1996. Absolut Vodka also filmed a origination of Wenner’s art for a
radio commercial.
More than 3,000 block feet of Wenner’s oil paintings, low-pitched plaster, and architectural sum can be seen via the
chateau famous as Villa Zeffiro (modeled after Palladio’s Villa Barbaro nearby Venice, Italy).
In 1991, a Kennedy Centre in Washington D.C., respected him with a one-man uncover during a Center. He has also been awarded
a Golden Bacchus from Barolo, a Golden Giotto from Milan, as good as several other awards.
When Pope John Paul II arrived in Mantua, Italy, Wenner was consecrated to emanate an strange combination for a 15′ x 75′
travel portrayal formed on a Last Judgment. Under Wenner’s direction, thirty of Europe’s best travel painters worked 10 days
to emanate a work. The Pope sealed a mural, strictly noticing travel portrayal as an central form of Sacred Art.
His illusionistic paintings are increasingly renouned with corporate clients and promotion agencies. His images have been used
in imitation ads, radio spots, and indicate of sale displays. Corporate clients have included: Absolut Vodka, Amp’d Mobile, BMW,
Cadillac, Champion Sportswear (Italy), Dunkin’ Brands, Hampton Inn, Knorr Soups (Canada), Kraft Good Seasons, Lexus,
Lincoln, Lucky Strike Racing (Formula 1), Microsoft, Party Poker.com, Schick, Toyota, and a Washington Lottery.


1. Q: What happens when it rains?

A: Rain is a good rivalry of travel painters as drops of sleet will mark a pattern and there is no foolproof means of protection.
Tenting a pattern or covering it with cosmetic helps, nonetheless H2O can trickle underneath usually about anything if a sleet lasts prolonged enough.
I repair shop-worn areas by reapplying a chalks.

2. Q: How prolonged does it take?

A: we paint somewhere between 4 and 6 block yards a day. The complexity of a pattern and a peculiarity of a surface
determine how most we am means to accomplish.

3. Q: Are we unhappy when it washes away?

A: we am always wakeful of a impermanence of travel painting; wind, sun, dirt, and sleet constantly remind me of a fleeting
nature. Even as I’m formulating a new partial of a picture, we can see a finished tools are already fading. I’m not disappointed
when it washes divided given travel portrayal is opening art; it’s unequivocally most like attending a symphony. When a music
ends everybody leaves with a memory of a music. My work is a same solely one is left with a visible impression. And much
like a low-pitched recording helps safety a moment, we sketch my paintings when they’re finished.

4. Q: How prolonged does a portrayal final if it isn’t destroyed?

A: It is formidable to pinpoint accurately when a pattern is “gone.” In Switzerland, where a meridian is unequivocally harsh, I’ve returned to
aged travel portrayal sites after a year and still seen a gloomy pattern of a pictures. Climate, cars, bicycles, and pedestrians are all
factors that establish a paintings presence time. They can final anywhere from a integrate of days to some-more than a year.

5. Q: Can we mist something on a pattern to keep it from soaking or vanishing away?

A: The life of any work of art depends some-more on a environment, support, and a peculiarity of materials used in the
origination than on a protecting varnish. Anything sprayed on marker will immediately change a aspect and means undesirable
effects such as branch white into gray. Any arrange of fixative practical to chalks on a travel will do small to lengthen a life of the

6. Q: Is it available to do this form of portrayal everywhere?

A: The function of open space worldwide is generally lonesome by metropolitan codes, that change from plcae to location.
I’ve not listened of many places where travel portrayal is forbidden, nonetheless Zurich, Switzerland is one of them. Therefore, most
travel painters name a mark they are happy with and start working. It customarily doesn’t take too prolonged for a uniformed peace
officer to uncover adult and informs a painter if they need a permit, or contingency pierce on to a city that permits their work. Street
painters tend to assume it is available to paint until they are told otherwise.

7. Q: Can we make a vital doing this?

A: As with any function we generally find people intent in a work given it supports them. And, like any other trade,
there are opposite degrees of success. Some painters live hand‐to‐mouth and others suffer it as a remunerative profession. Success
is unequivocally contingent on a perfect array of people who pass by a work, their greeting to a sole image, and a dexterity of
a painter.

8. Q: How many people make their vital as travel painters?

A: There are substantially dual hundred to 5 hundred artists during any one time that count on travel portrayal as their primary
source of income. There are many some-more anniversary painters, those who usually work in a summer months.

9. Q: How did we learn to do this?

A: we worked on my sketch and viewpoint skills during art propagandize and was a systematic illustrator for NASA. In sequence to serve my
training we left for Italy in sequence to investigate directly from a good master works of art. For 6 months we spent 8 hours a day
sketch and training from paintings and sculpture. One day, we saw a travel portrayal and asked a artist what he was doing.
He explained a tradition of travel portrayal in Europe to me, and after observation my museum drawings asked if I’d like to paint
a conduct of an angel while he went to lunch. Working with a chalks came unequivocally naturally, and from that indicate on I’ve been
travel painting.

10. Q: What kind of chalks are we using?

A: we indeed use handmade pastels, that are stronger and some-more permanent than blurb products. When we initial started
travel portrayal we used blurb chalks and pastels. we shortly found a chalks to be too dry and they constantly blew divided on
a street. The pastels were some-more permanent, though too dear as we would devour a integrate hundred sticks per picture. It didn’t
take prolonged before we began experimenting and creation my possess pastels with pristine pigments and binder.

11. Q: Why are we means to travel on your portrayal and not repairs it?

A: Most of a painting’s tone is in a pores of a cement and not on a surface. Although we try to travel on a pattern as
small as possible, infrequently we contingency in sequence to retouch a spot, or mislay waste that has blown onto it.

12. Q: Do we make a sketch of what we are going to paint?

A: When we initial started travel portrayal we occasionally done drawings of what we would paint. Now that we usually paint for special events I
work out a combination and geometry before to nearing during my portrayal site. It is critical for a horde to approve the
design, and it speeds adult a execution time.

13. Q: How can we see what we are doing?

A: Unlike other projects where it probable to mount behind and viewpoint an whole work, travel portrayal and vast scale mural
portrayal are singular in a clarity that one contingency suppose a whole portrayal while operative on a fact of it. It takes special
training and believe to work in such a format.

14. Q: Do travel painters ever emanate permanent work?

A: Many travel painters emanate permanent works of art in a accumulation of mediums. Street portrayal can be an ideal proceed to test
ideas and open greeting before committing to a time and cost of formulating a permanent work.

15. Q: we would like to start travel painting. What is a best proceed to get started?

A: The best proceed to start travel portrayal is to find a protected plcae with complicated feet traffic, set out some baskets for offerings, and
begin. An choice is to demeanour for one of a many festivals posted on a internet and sign

Article source: http://kurtwenner.com/

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