Aesthetica Magazine – Paradoxical Spaces

نوشته شده در موضوع خرید اینترنتی در 01 فوریه 2017

The thought of “negative space” is essential to British artist Oliver Beer, whose work confronts a assembly with what is not there, and, by divulgence absences, has a rather enigmatic outcome of highlighting a romantic value that we deposit in objects. In his initial uncover during Ikon given 2011, Beer presents a array of new and new pieces including some specifically consecrated for a exhibition.

A new seductiveness is a origination of vessels, mostly from ceramics, that turn sold low-pitched instruments as a dull space within resonates in response to a sold low-pitched note, and, when amplified with microphones and sound systems, creates a soundscape of harmonics feeding behind – a sound of an deficiency singing. In Silence Is Golden – a new work for Ikon – among a array of these low-pitched objects are 3 potion spheres, any holding an actual-size golden indication of a little skeleton of a middle ear that make conference possible, though hermetic silently inside crystal.

One of a centrepieces of a muster is another elect for Ikon. I Wan’na be Like You (2016) is a “re-animation” of a stage from Walt Disney’s Jungle Book. Beer invited 2,500 internal propagandize children, aged  from early years until a age of 13, to join in, sketch film stills that are organised in sequence of their age, so that a animation character becomes increasingly “grown up” as a stage unfolds. Frame by support a scribbles of infants gradually give approach to a increasingly wholesome drawings of children and afterwards adolescents. Here, a artist uses a time-based middle to denote a indomitable thoroughfare of time executive to a tellurian condition.

Family relations recover via a work on display, such as Oma’s Kitchen Floor (2008) a wall-mounted territory of linoleum, taken from his grandmother’s kitchen. The tellurian traces left by decades of his grandmother’s feet relocating opposite a linoleum and wearing down a settlement are suggested as a design built adult over 40 years by half-a-lifetime of movement.  Meanwhile, one of several video works, Mum’s Continuous Note (2013), is both a touching mural of Beer’s mom and a jubilee of sound, as she appears to be singing a singular note for 3 mins but sketch breath, while formulating harmonies on a blue guitar.

Oliver Beer, 15 Mar – 4 June, Ikon Gallery, Birmingham. For some-more information:

1. Oliver Beer, Tristan Ensemble (2015). Live sound designation formed on tuning a harmonics of antiquities from a collection of Robert Wilson. Installation view, Watermill Center, New York. Image © a artist.

Posted on 19 Jan 2017

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